Showing posts with label sex. Show all posts
Showing posts with label sex. Show all posts

June 15, 2020

My Issue with the Excellent LGBTQ Civil Rights Law Supreme Court Decision


In response to this New York Times article, "Civil Rights Law Protects Gay and Transgender Workers, Supreme Court Rules," by Adam Liptak, June 15, 2020, from where I also got this picture.

I am absolutely thrilled with this decision by the Supreme Court, and pleasantly surprised by Roberts and Gorsuch joining the majority opinion. But it pains me greatly to have to agree with the horrible Alito and Kavanaugh that "sex" does not legally cover "sexual orientation" or "gender." I would much prefer that those be added to the 1964 law as separate protections.

Sexual orientation, or sexuality, the direction of love and attraction, is not sex, which refers to physical biology. My sexual orientation is homosexual, because I am attracted to members of my own male sex (and my own male gender). Although I suppose an unproven case could be made for genetics being the determining factor in sexuality, this is uncertain enough to separate sexuality from biological sex.

My gender, the socio-psychological-spiritual identification aspect of the gender spectrum, is also heavily freighted toward male alignment for me, but again, gender is not sex. There are those of male sex and female gender, and vice versa, and a huge range in between and outside that spectrum.

Sex, sexuality, and gender are all entirely deserving protection in this civil rights employment law, but it is reductive to consider them the same thing. I certainly applaud this decision to broaden the legal shield, but I hope more accurate specification will be forthcoming.



June 14, 2020

Reading "Prophet"

A reading of my poem "Prophet" from the book Render, against a backdrop of film noir, government educational movies, and gay-panic PSA collage. Originally created for the Creative Pois-On series #CreativityWillSaveUs, episode 10.

Here's my video:


Here's the whole Creative Pois-On episode 10, which is definitely worth a watch!

Render is available in paperback and Kindle editions at Brighten Press.



March 28, 2020

"Catfish" Reading Video




I was invited by the lovely Bill Arning to give a poetry reading at the Flatland gallery tonight, but of course that has been postponed as we all virally die and the world ends. But I thought I might as well record the long poem I was intending to read anyway, as we’ve all gone virtual as it is.

I’ll be reading the poem Catfish, from my poetry book Catfish and After, Brighten Press. 2019. I began it when I was in the throes of falling in love with a gorgeous, smart, funny, deaf architect on the chat app Grindr. We had been chatting for a month non-stop daily, diving deep into one another, telling stories of our lives and sharing our hopes and terrors and depressions, connecting on a level I hadn’t experienced in nearly a decade. His pictures were sexy and stunning, with his deafness explaining his introversion and unwillingness to meet right away. It also seemed to explain his reluctance to tell me his last name or phone number.

But as I invested more in him emotionally over the coming weeks, it set off all kinds of alarms that I couldn’t find any trace of his existence online. The red flags flapped, but he was so consistent in his stories and personality that I couldn’t imagine he wasn’t who he said he was. I’m an insightful storyteller, with a powerful bullshit detector. I couldn’t possibly be deceived to such an extent. As I panicked and churned with emotion, I began to write about it, and the raw material for this poem spilled out over the coming weeks.

After I learned the truth, after I recovered, after I wrote the poetry cycle After, I cut and honed this cyberfraud material to pare it down to the poem I’m going to read right now.
This is Catfish, from Catfish and After, by Gene Hult.

Available in paperback and Kindle editions at brightenpress.com.

Catfish and After by Gene Hult from Brighten Press

March 17, 2020

Open Writing Call for The Book of Scorpio!


Brighten Press The Book of Scorpio

Brighten Press is publishing a paperback and e-book anthology of poetry, fiction, and non-fiction with a SCORPIO theme. 

Deadline March 31, 2020. 

Previously published work welcome.

Submission guidelines and more information:


January 17, 2020

Reminder: Submit Your Writing to the Scorpio Anthology!

Submit to Brighten Press's Scorpio Anthology
Brighten Press is publishing a paperback and e-book collection of poetry, fiction, and non-fiction with a Scorpio theme.

The deadline for submissions to the Scorpio anthology is March 21, 2020. 

Previously published work is welcome, as long as you retain all publication rights.

More information and submission guidelines are available at brightenpress.com/creatives.shtml.

Thank you, and we look forward to reading your work.

September 25, 2019

Catfish and After -- paperback copies!

I received my first batch of paperback copies of my new poetry book Catfish and After today, and I'm pleased with the way they look. It's available at brightenpress.com.

Catfish and After, poetry by Gene Hult, from Brighten Press



September 03, 2019

Catfish and After Memes


I can't prove anything he says.

Some cyber-psychos deliberately deceive. Catfish is a long poem about being in love with an ideal but fraudulent man on the chat app Grindr. After is an Imagist cycle of poetry about psychic, creative, and romantic reconstruction in the aftermath.

I'll be posting Catfish and After poetry memes here as I make them.



Catfish and After, poetry by Gene Hult from Brighten Press

After: "Gracious" excerpt from Catfish and After, poetry by Gene Hult, from Brighten Press

After: "Sophist" poem excerpt from Catfish and After by Gene Hult

Catfish and After, poetry by Gene Hult from Brighten Press

Excerpt from the poem "Merge" by Gene Hult, from Catfish and After

Catfish and After, poetry by Gene Hult, from brightenpress.com


Catfish and After, poetry by Gene Hult, at brightenpress.com

Catfish and After, poetry by Gene Hult from brightenpress.com




New Poetry Book! CATFISH AND AFTER


Catfish and After, poetry by Gene Hult, from Brighten Press

In the throes of an exciting but bewildering love affair conducted entirely in intense, constant text with a sexy and smart deaf architect on the chat app Grindr, I started writing poetry about it when he repeatedly refused to meet. Following months of increasingly fraught but non-stop conversation, he ghosted me entirely, and I couldn't find him anywhere. I couldn't confirm a single thing he'd told me. When he finally returned, it was with a story stranger and more disappointing, more heartbreaking, than anything I'd feared. I had been catfished by a fraud.

Those months of poems were whittled down to form the 30-page long poem Catfish

In the aftermath, I kept writing, detailing the psychic, emotional, creative, and romantic reconstruction in the wake of that shock of dashed hopes. Those separate poems are collected in the cycle After.



July 17, 2018

June 13, 2018

Render


The diamond firebird—ashes he stirs.

Hear me keening for understanding,
my love? Wait, not yet, while I paint
another sequined scrim of myself.


My first book of poetry, Render, will be available from Brighten Press in paperback, Kindle, and iBook editions on July 12, 2018.

To say I'm excited about this would be an incredible understatement.

I'm calling these "poems of manifestation" because they include themes of creativity, creation, self-actualization, and identity, as well as summoning love into one's life.

These poems span nearly 30 years of writing.

I hope they will be as meaningful to you as they are to me.

Please check out genehult.com or brightenpress.com for more information.


June 14, 2016

Omar Mir Seddique Mateen Was One of Ours


I've been trying to pull my thoughts together about the terrible tragedy that happened in the early hours of Sunday, June 12 at the Pulse gay nightclub in Orlando, Florida. Because otherwise I can't think of anything else.

First and foremost, nothing I write here is meant to deny the lives, pain, and suffering of the victims and their families and friends. I have spent the days since the killings weeping for those brothers and sisters killed by that twisted beast of a person who renamed himself Omar Mir Seddique Mateen, and desperately trying to get a handle on the horror.

The ISIS link is weak. He was an American. I look to Mateen's father's homophobic statements, the statements of the patrons of the club who recognized him, the terrible relationship with his first wife, the beating of his second wife, which all strongly hint at a repressed homosexual forced into an ill-suited life. Perhaps he turned to radical Islam to find help, justifications, the way so many same-sex-oriented Christians have turned to their churches for spiritual guidance and found only more intolerance and homophobia and reinforced self-hatred, or were shunted into conversion camps.

I'm not discounting mental illness, I'm not discounting violent images of massacres in the media, I'm definitely not discounting a more specific personal vendetta such as a failed secret relationship, or his failures to become a police officer, or a sense of rejection from the community, or that his gun license to carry semi-automatic assault weapons probably confused him into believing he had a license to kill. Perhaps he derangedly devised this mass murder as a way of covering for the unforgivable shame of his own emotions, his jealousy of happiness and freedom and acceptance of life's excitement which were denied him by religious and societal and familial pressures. Those joys can be terrible things to witness if you're not allowed admittance. But the honest truth is that I don't know. I can only do my best to try to unravel it because maybe if we find the reason why we can prevent it from ever happening again. 

He was one of ours.

I didn't say he was gay. I said he was homosexual, same-sex oriented. Gay is societal. Homosexual is biological. He was not part of the gay community. He hated it enough to attempt to obliterate its existence. He couldn't access it. That's the tragedy, I think. But of course I'm seeing it through the prism of my own experiences.

You know, the gay community, bars, clubs, etc., probably saved me when I was feeling most ostracized in my youth and provided me with most of my friends in life. But it’s a rough, cutthroat world, too, and very unforgiving and mean-spirited on occasion, and then sometimes so welcoming and loving. We come together in difficult times or celebration, but it's an easy world to misinterpret, a frustrating, frivolous world, if you're already witnessing it with a skewed, solitary, and damaged perspective.

These events include so much stuff coming together in a total perfect shitstorm – religion, family, sexuality, ethnicity, exclusion, marriage, abuse, failure, power, violence, guns, hatred, shame – that it’s hard to grasp, and it's grotesque, and I think we’re all turning it over and over to try to cope.

It seems to me that ISIS is a distraction, a cover story, from a murderous, evil group only too happy to provide one.

I don't want to hit anyone’s triggers by suggesting abuse, but with this level of hatred in his explosion, I'm nudged by the idea that there are molestation issues, too. Really there’s no direct red flag for me to point to yet, other than a sympathetic sense of the damage I’ve felt from similar victims. I’ve also had direct second-hand experience of guys telling me that these ultra-repressive segments of society are rife with the rape of boys and young men because there’s no other possible outlet for the hot insanity of sexual repression. I’ve heard it from guys escaping from the Hasidic communities, Saudi guys, Iraqis, Iranians, Syrians, and Afghans. It’s systemic, and deeply ingrained in their cultures as acceptable secret behavior between men, particularly in the cultures with a public bathing component separate from women. So my radar went up. Remember when that Iranian fuckwit Ahmadinejad gave that speech to the UN declaring that there were no gays in Iran? He used the same derogatory word the shooter’s father used, hamjensbazi, which means, roughly, “same-sex sluts.” It's my understanding that some segments of Arabic culture allow a certain amount of secret homosexual sex but not gay identity. It’s ancient and toxic. It's unspoken, whereas in the U.S.A., the "love that dare not speak its name" sometimes never shuts up.

I do blame the parents. If parents are absolved from culpability for the horrible actions of their adult children, then why are parents so proud of accomplishments? "MY son won a Tony award!" "MY son shot up a fag bar!" Responsibility cuts both ways. We don't really know how the parents feel or what they taught their son, other than the father reiterating that only God should punish homosexuals. But somehow I'd bet these parents did not have a healthy dialogue with their insane, mass-murdering son about the spectrum of sexuality in his youth. Instead of their soft apologies, I would have them say, "I realize that our religion and the hate it spews contributed to the homophobic insanity of our son, and I will regret my contribution to that hatred for the rest of my pathetic life. Perhaps if I had not been blinded by my delusions, I could have helped my son accept his own internal struggles and worked with him to express his confusion and discomfort in loving ways. I deeply regret my life choices and I am filled with sorrow for the victims for all eternity and I hang my head in shame for my failures as a parent and as a human being." Let's start there.

I’ve been fighting the forces of homophobia my whole life, and that struggle continues on ahead unabated. Meanwhile, gun control is a great next step for our country.

Ultimately, it seems to me that Omar Mir Seddique Mateen went on a murderous rampage, killing beautiful dancers in a club, rather than confront the deep darkness of his own sexual shame.

So what am I suggesting with this mess? I'm saying look at the damage the hateful homophobic messages of religion, politics, society, and family have wrought.

I'm not claiming as ours the loathsome murdering homophobic monster Mateen became. I'm claiming a broken boy and crying for his suffering. Rightly, he paid for his horrific, unforgivable madness with his life, but the forces of homophobia must be stamped out as well.

The true villains are those who instilled this hatred for gays -- and himself -- in Mateen's twisted heart.

March 19, 2016

Review: Giovanni's Room

Giovanni's Room Giovanni's Room by James Baldwin
My rating: 4 of 5 stars

I read James Baldwin's Giovanni's Room to fill a gap in my gay literature knowledge, and I'm glad I did, even though I found it a little sleepy. Mostly I was impressed with the emotional frankness and honesty here -- the struggle of a closeted (bisexual?) man struggling with the direction of his love still rings true, even though the social (and legal) penalties were much worse when the book was written. It's an important book, candid in its emotional battles and complexities, its description of lust and love and desire despite one's own will and the repressive influence of surrounding society.

It's also beautifully written, in Baldwin's lovely lyrical style. Maybe also that literary, swooning prose is a little soporific? The dreaminess and emotional exploration entrances, but also acts as a lullaby, rocking one to the edge of sweet sleepiness, even though there is so much pain in the sentiments.

The story and characters feel real, through the protagonist's perceptions, anyway, and his stance, his approach, isn't always likable or forgivable. I understand he is a product of his times, a prisoner of his milieu, but also he's cowardly and lets his fears ruin his, his fiance's, and Giovanni's life. I felt similarly about Heath Ledger's character in Brokeback Mountain: someone who cravenly caves to the societal pressures, despite the dangers of the path forward, while living a depressingly accurate object lesson, is no hero of mine. Again, I understand the terror that a virulently homophobic society (even a relatively forgiving one like in Paris) places on these characters, but acting from fear is never inspiring, even in the face of ruin.

Maybe it was because the protagonist (David) loved but couldn't completely open himself to Giovanni, but I felt the handsome Italian love object was never revealed as a full person. There are some hints at pride, swagger, depression, humor, but Giovanni remains an indistinct cipher. Many of his scenes, especially the climactic one, are imagined by David, and we rarely get to see Giovanni act or speak on his own accord. Their original night out, and the final fight between he and David, are the most alive, but the rest of the book, Giovanni is hidden behind the scrim of David's desire. David's fiance Hella is more vivid, and she's moped and agonized over for a third of the time Giovanni is.

Then there's the issue of race. David is a bohemian white dude, with contradictory bourgeois values, and intermittent mystery income from home and friends. Baldwin actually does a great job with a white protagonist, but . . . why? Was the homosexuality so much of an issue that it was necessary to remove one minority aspect of the protagonist for greater understanding by readers? It's not a problem with the book, but it is a curiosity.

Overall, I'm pleased I can add this to my read canon of gay literature, and it was hugely crucial that the book's rare voice about a hidden world was heard at all. But the unappealing weakness and whininess of the protagonist, the opaque love object of Giovanni, the pretty drowsiness of the literary prose, and the inability to transcend the period's prevailing mores with any kind of hope won't allow this book to be one of my favorites.

September 23, 2015

Review: The Hour Between

The Hour Between The Hour Between by Sebastian Stuart
My rating: 4 of 5 stars

An entertaining, very well-written boarding school, gay coming-of-age story, which perhaps leans on too many of its reference sources too solidly. I kept wondering if I'd read the book before, so strong was my occasional sense of déjà vu. There's some Salinger in the plot, some Leavitt and Cunningham and White and Fitzgerald and Isherwood . . . and weirdly, it reminded me a lot of Lev Grossman's The Magicians without the magic. And Rowling, too! But these are not bad forbears; they should inform this novel, but perhaps not so potently.

That said, I enjoyed reading The Hour Between very much. The language is supple and clear, the characters are believable and witty, and the setting is lovely. I loved the Liza/Zelda character enough, even though the manic pixie is overplayed, as is the reticent uptight young gay, Arthur, who is the narrator/outsider, who was also likable in his own way, if familiar.

Arthur's infatuation and adventures with a classmate jock had some real heat, but the climactic sex scene was unfortunately elided.

Even after writing this, I'm still wondering if I'd read this book before! I think not, though, because I hope I would have remembered being this involved in the story.

July 18, 2014

Review: The Journeyer


The Journeyer
The Journeyer by Gary Jennings

My rating: 5 of 5 stars




I keep debating whether to knock my rating of this book down to four stars, but I've decided that it's an amazing, fascinating, and enlightening book on its own merits. The problem I have is one of comparison: I loved Jennings's novel Aztec so much, and enjoyed that subject so completely, that The Journeyer suffers in its shadow.

Still, it's a terrific historical novel, filled with the accurate detail, bawdy entertainment, ticklish humor, and curiosity of culture that made Jennings famous. Basically, it's the story of Marco Polo's life and travels, with his journey from Venice along the Silk Road through Persia and Asia as the main event, with much of the book bringing to life his missions for the Kublai Khan. That's all a blast, and really interesting culturally, historically, and anthropologically, with the only weird sour note Polo's intense distaste for the Hindus in India.

Jennings's writing is supple and beautiful throughout, with terrific set piece descriptions, titillating sexual encounters, and believable characters. The level of research he must have done is a staggering accomplishment. It's never boring, and usually deeply engaging and informative.

And yet . . . maybe it's my own cultural biases, but I found the ancient Aztecs much more fascinating than 13th Century Asia. Marco Polo himself was brash and clever, but perhaps too stuck in his own Christian preconceptions to make him as great a narrator as Jennings previously achieved in earlier books.



April 10, 2014

January 09, 2013

Review: Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars


Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars
Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars by Scotty Bowers

My rating: 4 of 5 stars



Like listening to an old man tell stories about his past in a gay bar, this memoir is hilarious, bawdy, studded with celebrity cameos, and factually suspect at best. If you believe Scotty Bowers, he had sex with nearly every Hollywood celebrity you can name, both male and female, from the late 1940s to the 1970s. He also hooked up many other celebrities with good-looking friends of his for sexual purposes, although he insists that he never charged for his pimping services, only accepted tips for tricking. Fine, whatever. It doesn't matter. The salacious details are rarely filthy, just pleasantly titillating, but the frank account of the sheer number of Hollywood hookups becomes wonderfully funny after the list just keeps going and going and going and going.

I thoroughly enjoyed this star-studded sex romp down Hollywood Blvd. Who cares if it's all true? It's a blast.



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